Some garments arrive at the boutique carrying silence —a beauty that has not yet spoken. Others wait patiently, holding the promise of what they could become. The Project is where these pieces are chosen, touched, and transformed through artistic intervention.
I do not design with rules or blueprints. I design with instinct. When I see a garment, I feel its next life. The materials, the structure, the essence —they tell me what they need. Crochet details, embroidery, texture work, structural additions, sculptural accents… Each intervention is guided not by trend, but by a moment of pure creative impulse.
This is not customization. This is designer rebirth — slow, intentional, and deeply personal.
I hope you like it ;)
Ebru
Every stitch, every texture, every change
is guided by intuition.
What I Saw in It
When I first touched its fluffy, warm texture, I immediately felt its potential — a garment perfect for cold weather, perhaps even the warmest piece in the boutique. But at first sight, it was too simple. A single line in the front, sleeves that felt long and undervalued. I imagined them emerging from under a coat yet not calling the attention they deserved. The bottom had the same feeling — I pictured it with knee-high boots, but something was missing, an accent, a spark. So I added these elements instinctively. No second guessing — the perfect pattern appeared immediately:
silent, elegant, a touch of romance.
The garment shifted. It gained personality, softness, character.
Now it only needs the right accessories and the right woman to wear it with pride. Warm, expressive, and finally complete.
One of a kind
Designer’s Note
What first drew me in was its simplicity and the softness of the cream tone. The silhouette felt too straight, almost reserved, and I wanted to introduce volume without disturbing its calm nature. The idea of the neckline came later—initially imagined as a small cape or collar—until it naturally evolved into a hand-crocheted lace intervention. I chose not to alter the sleeves; anything more would have felt excessive. Instead, I signed the piece quietly, with a hand-embroidered “E” and “No. 01”, marking it as the beginning of something intentional.
The base garment originates from a well-known Spanish wool house, selected for the quality and durability of its boiled wool. The piece was then fully transformed through extensive hand embroidery and crochet.
How I made it?
The vivid red of the wool was what struck me first. I responded by introducing contrast colours, not to soften it, but to allow the red to emerge even more clearly.
I did not use rulers to guide the stitching lines. Instead, I adjusted them as I worked, letting the stitches adapt to the natural movement of the coat. The form is not perfectly straight, and I wanted the embroidery to follow that truth rather than impose order.
The beginning and end of each thread are secured but left visible. I wanted these points to remain part of the design—marks of process and intentional irregularity. Threads are cut at different moments, and new starting points appear across the surface to emphasise variation and rhythm.
...
Stay tuned.
